Not every connection to the mountains is a private one. 

Some of the places where alpine culture feels most at home are shared spaces — cafés, pubs, bars, and lodges where people gather, slow down, and spend time together. 

For many English skiers, that includes Alpine chalets in France — lived in for part of the year, then opened up to others, carrying both personal meaning and a responsibility to feel welcoming. That thinking shaped this series. From the outset, these prints were designed to sit comfortably beyond purely domestic interiors. 

The same qualities that make skiing compelling — rhythm, restraint, and movement through landscape — translate naturally into hospitality-led spaces and rental chalets alike. 

Especially environments where atmosphere matters more than decoration, and where a sense of place needs to feel authentic rather than staged. 

The monochrome works — Lignes de l’Hiver, Ligne de Pente, and Gravité et Mouvement — read clearly across a room. Their contrast gives them presence on larger walls, while the layered lines reveal themselves more slowly up close. In cafés, pubs, bars, and chalet living spaces, they tend to settle quietly into the background, becoming familiar rather than intrusive. 

A series of Ski Prints on the wall of a Cafe-Bar

Alongside them, the blue line-drawn pieces — Ski de Randonnée, Fjellferd, and Ski- und Bergkultur — lean more overtly into alpine heritage. Inspired by mid-century ski touring illustrations and cultural posters, they carry a sense of history and shared effort. 

A Set of three Ski prints in a ski lodge or chalet

These pieces sit particularly well in chalets and mountain-adjacent spaces, where wood, stone, textiles, and age-softened materials are part of the architecture rather than decoration. 

What connects both styles is restraint. There’s no reliance on loud colour or obvious sports imagery. That simplicity allows the work to live easily alongside people — whether in a pub corner, a café seating area, or a rented chalet where guests come and go, but the atmosphere needs to remain consistent. 

In many ways, this reflects skiing itself. The best days aren’t about spectacle, but about flow, knowing when to push, and when to let the mountain lead. These prints were made with that same sensibility. They don’t dominate a space. They settle into it over time, quietly carrying the feeling of winter, travel, and alpine culture into places designed to be shared.